Tuesday, 8 June 2010

Do journalists care?

This article in the online Scottish Review is a must read - especially for any journalist involved in covering the Cumbria shootings. It's by Lorn Macintyre - a writer - and it echoes many of the things I've heard from listeners over the decades, usually after (or during) coverage of traumatic events.

Make what you will of its direct criticisms of the organisation I work for, the BBC, and two of the programmes I've edited over the years, The World at One and PM - that's not the point of this blog post. The article raises much more profound questions about the assumptions we journalists take into covering events like this.

And it shines a light through the gap between those assumptions and the sensibilities of our audiences. By all means, read the article in full and reflect on it as you will - but these are, for me, the most striking questions:

Were the media engaged in "an obsessive and unsavoury inquisition into the circumstances of the deaths"?

Any journalist worth his or her salt takes it as an absolute given that the job is to act as the eyes (and ears) of the wider public. Even when the facts and details are grim. Especially when they're grim.

Could there have been anything to be gained from suppressing - or not reporting - known facts and details about the circumstances of the victims' deaths? Few journalists would answer 'yes'.

And yet ... there are limits. Over the years, there have been many images of death that - rightly - neither the BBC nor any other Western broadcaster has shown. We draw the line at the gruesome details of sexual abuse.

If we accept the need for limits, then, why are they here rather than there? And in whose interests are they drawn?

The media has an "obsession with interrogating witness after witness, those who escaped death, and those who witnessed it".

I don't know a single journalist who would describe interviewing witnesses and those who'd escaped death as an "obsession with interrogating" them. It's gathering the facts, surely; assiduous rather than obsessive.

And yet ... do we journalists stop (should we stop) to think about the effect of what, to us, is an unquestionable necessity of the job? Are we right to argue that our job ends with the disclosure of 'facts'?

How does a family member, a friend, feel when they hear these details repeated over and over in bulletin after bulletin?

I've never found this one easy to deal with - though I've been told often enough that, as a journalist, you have to harden your heart. Many news stories upset someone - but, the conventional wisdom goes, that's no concern of yours; your job is to get the facts out there.

I'm sure that's right as far as it goes. And I'm not sure what the alternative is. But this is a concern you hear over and over from audiences - and are we totally certain their expectation of us is an unreasonable one?

Is it really therapeutic for the wounded, and those who escaped the pointed barrels, to keep repeating their terrifying experiences on air?

Is it?

It's something you will often hear journalists say to those who've had an awful experience and it's advice that's often given to young reporters nervous about approaching people in distress.

'Tell them they'll feel better talking about it.'

That might be true for some; it might make them feel better or start the grieving process. But we also know that it isn't true for everyone. Do we - should we - care? So long as we get our story.

"Surely it is the duty of the police and not the media to amass evidence on each killing ... (they) should be allowed to proceed with their harrowing duties, rather than being harassed by one of the many reporters dispatched to the crime scene?"

Again, seeking to find the 'why' is a duty that every journalist would say is beyond question. After disclosing the 'who, what, where, when', it's the job of the journalist to give context; to bring expertise to bear on the known facts. To keep adding to those facts. It's what the job IS.

And yet ... when you look at the sum total of the media's job on the 'why' of Derrick Bird's killings, are we confident that they've done or are doing an unequivocally brilliant job?

Depending on the paper(s) you've read over the past few days ... the cause is a family feud; a will; a tax bill; teasing over trips to Thailand; an 'unhealthy' obsession with a Thai girl etc, etc. Or that Derrick Bird was a quiet man ... or he had a history of violence. He'd planned the killings months ago ... or suddenly snapped. His targets were chosen ... and they were random.

We know that journalism's search for the 'why' can be a messy, sometimes rambling, often chaotic job. We accept that ... but what if our audiences don't?

Is "the motive for the media's insensitive and intrusive behaviour in such cases ... not sympathy for the murdered or the bereaved, but ruthless competition"?

Very few journalists want to be second with the facts; journalism is about the new, making known something that previously wasn't known. Competition is essential to the job and, while it may not seem "ruthless", "insensitive" and "intrusive" to us ... what if that's the way it looks to our audiences?

And if we seem to have removed ourselves from 'normal' human sympathy ... does that matter? More: should we allow our motivation, either to report or not to report, to be "sympathy for the murdered"?

Which brings us to Lorn Macintyre's summary accusation ...

The microphone and the lens intrude into personal grief, exploiting the fragile psyche.

... and to the blunt question all journalists should ask themselves. What if this is true?

We might know it's not. Or feel it's not - or at least not our intention. But what if it's true?

Do we care? Should we care? And if we do/should ... what do we do?

Monday, 31 May 2010

Laws law

Journalism has its first scalp of the new government. Inside 17 days. A new personal best. Should we be proud?

Have we, once again, brought power to heel with our watchdoggery? Stood firm in defence of the honest man and woman?

Or has journalism, true to type, proven its inability to understand its civic purpose? That the point of journalists' scrutiny is to improve the way we govern ourselves? Without that, it is just self-regarding noise.

There's a real dilemma at the heart of this and we journalists should, at the very least, recognize that. Perhaps even, whisper it quietly, be prepared to try to resolve it. As things are, we excuse in ourselves behaviour we would accept in no other institution - a behaviour that is at best arrogant, at worst delinquent.

You don't have to take sides or be soft on politicians to have been dismayed by the assertions of some in the press that, in spite of David Laws' explanation of his actions in the light of the Telegraph's disclosures, they knew what it was really all about. What was really going on in the former minister's mind.

'Sobvious innit. MP = greedy. Snouts, Trough, Boots. Fill. Nothing's changed, they're all as bad as each other. Bad as the last lot. Chuck 'em all out.

Thus the Sun: Mr Laws "channeled more than £40,000 of taxpayers' money to his long term partner" - the verb, intriguingly upgraded at the subbing stage; the original story had the more bland 'paid' ... as you can see from the url.

Thus the Mirror: a simple expenses scandal - his apology groveling (oh, come on ... you can do better than that: surely it was at the very least 'sniveling' ....)

And thus Barbara Ellen in the Observer ... who you might have thought should have known better.

Don't we - in the interests of both scrutiny and accuracy - have to begin with David Law's own explanation of why he did what he did? If we can disprove it through proper scrutiny .. fine. But if we simply dismiss it - because we really know - we also have to explain why one of the cleverest and most economically astute men in the country, let alone Parliament, didn't arrange his affairs to cash in to the max. Something he could have done entirely within the rules both as they were then and as they are now.

And this matters. Matters way beyond the detail of this one story.

It's likely - most sensible commentators seem to agree - that that the Laws affair is about judgment distorted not greed. That what we've learned about a (former) cabinet minister is that people - even those in positions of leadership - do daft things for complex reasons. Usually because they understand themselves less than they understand anything else.

Yet that lazy default - "we know they're all on the make" - is doubly dangerous; it looks like scrutiny without being anything of the kind. And it damages our politics, if for no other reason than that it reduces our various publics' understandings to yet another pointless, misleading binary; venal or honest ... with the centre of gravity very definitely on the venal side.

There is a genuine dilemma around disclosure and its effects.

As Roy Greenslade writes:

"The press exists to reveal what those in power seek to keep secret. The raison d'être of journalists is disclosure."

And it's impossible to argue that having bought the information - part of that CD whose contents it began publishing just over a year ago - the Telegraph should not have revealed what they had. And the measured language of its first report can't be faulted.

But is it enough to say that "disclosure" is all? That our responsibilities as journalists end once the revelation has been made? Don't we also - as people with pride in our craft - have the responsibility to make sure that disclosure is scrutinised in ways that are both rigorous and accurate. That we don't hunt scalps just for the sake of it or as means of validating our own purpose in life?

The Guardan's Michael White goes further:

"I do not think the public interest has been well served
by the
Telegraph exposé. Laws is a clever, serious fellow who could have
opted for a life of idle self-amusement but plunged in public life
where dreadful things can happen.

So I regret his going and hope
the
Telegraph's more thoughtful readers are as unimpressed as I am.
Perhaps the newspapers really are losing the plot in their - our -
battle to retain sales share."

Whether it's about the business of sales share alone, I'm not so sure. There's something so deeply ingrained in the culture of British journalism that the alternative, thinking whether the way in which we treat disclosures like the Telegraph's is proportionate, is just not an option.

So we've got our £40,000 back ... at what cost we will only know when or if the £160bn debt mountain is finally climbed.

Tuesday, 18 May 2010

More 'oxy' than 'moron'

Frederic Filloux is a blogger and teacher, based in Paris. He edits a blog/newsletter called Monday Note - worth sticking on your GoogleReader (other readers are available).

His latest post - The Oxymoronic Citizen Journalism - has generated ... well, mostly yawns, except amongst the ubercitjguruklasse - e.g. NYU's Jay Rosen who Tweeted in response to it that - "from Paris, the worldwide professional freak out over the term 'citizen journalist' continues ...".

"Freak out" there is a noun, by the way. Verb or noun, though, no freak out.

Like I say, mostly yawns at that old 'would you trust a citizen neurosurgeon to remove your kid's neuroblastoma?' gambit. Answer: 'No'. Answer continues: 'Nor would I trust one of those journos who made up over 100 totally false stories about the McCanns to tell me how many legs I had. Let alone offer me something with "more professionalism than mere crowd-powered demagoguery".'

Let's be honest, too much of our journalism is exactly that - 'crowd-powered demagoguery' ... except the crowd is populated by journalists in what Tony Blair once called a hunting pack of 'feral beasts'.

Too much journalism is too bad to make the claims that Frederic, and others, make in defence of it. Differentiating it from random rumour and the "utterly superficial" by virtue of its "painstaking" professionalism - a differentiation that Frederic himself concedes is all too rare.

There are differences and distinctions between those of us paid to do journalism and those of us not - but 'professionalism' isn't it. Especially since more of us would trust a total stranger than a journalist to tell us the truth.

To be fair to Frederic, he acknowledges that 'citizens' have a role in telling their own story about themselves to themselves - but the mask slips when he talks about "newsrooms" having "a challenge on their hands"; that what non-journalists have to say about their world is an "input" that needs "handling".

Frederic seems to think 'citizen' and 'journalism' are contradictions - he probably didn't mean to but, put like that, you see it for the nonsense that it is. And you have to be careful, you know, with 'oxymoron' - it doesn't quite mean what you think it means. If you want to sound really clever, do the Greek: oξύς (sharp) and μωρός (dull) ... which kinda reads across to citizen=sharp, journalism=dull ... though, of course, in French that would be the other way round.

Journalists forget at their peril that the facts they deal in - assuming they are dealing in facts - don't actually belong to them. And they have no right to manipulate them on the other side of some 'professional' membrane, separated from the citizens whose lives they're both describing and - potentially - changing.

And if you don't get that, you kinda don't get very much.

Anyhows, all of this will be on the agenda at what we hope will be the biggest ever Citizen Journalism conference in the UK - it's at the LSE on 11 June.

The Value of Journalism (#voj10 on Twitter) will look at CitJ from every angle - especially, what it means to the so-called 'professional tribe' and how it nurtures and supports our civic lives.

My hunch is that 'oxymoronic' is not a word we'll be using much.

Friday, 7 May 2010

Crystal ball or book?

Nick Clegg's short intervention this morning - that the party with most votes and seats, the Conservatives, should seek to form a government - could be a hint that things are moving faster than they might seem.

The assumption has been that the Lib Dems key demand - an agreement to, at the very least, a referendum on PR - is anathema to the Tories and effectively rules out any coalition between them. Certainly, that was the assumption of this morning's 0810 interviews on BBC Radio 4's Today - and with good reason.

Need that be so? And need we spend too much time looking at the crystal ball?

The 2008 election in New Zealand provides a good example of a 'confidence and supply' agreement; an agreement between parties - none of whom has an overall majority - in order to form a stable government but which does not tie the partners together as tightly as a formal coalition with a single, agreed, full legislative programme.

The basis of 'confidence and supply' is, very crudely, that the smaller partner agrees not to vote against the incoming government's Queen's Speech or a confidence motion nor to vote against supply measures, enabling the government to pay its bills and raise credit.

In the case of New Zealand, the centre-right National Party - which was the biggest party, three seats short of an outright majority - drew up a 'confidence and supply' agreement with the (broadly) Liberal ACT.

Its preamble is interesting:

"Recognising that National and ACT have a duty to give effect to the will of the people as expressed at the general election, in particular the strong mandate for a change in New Zealand’s economic and social directions ..."

Remind you of anything?

And here's something else to think about. What if part of a 'confidence and supply' deal between David Cameron and Nick Clegg is that the Tory leader agrees that a vote in parliament for a referendum on PR isn't a confidence measure ....?

We'll know, I guess, at 2.30.

Tuesday, 20 April 2010

Vegas to London: the final leg

**This was written on Eurostar on Monday 18 April - posted later**

Why am I not surprised?
Of course, the Eurostar part of Brussels Midi is swamped. Mostly with people trying to buy tickets which they will not be able to do. Long, long queues. Crying, crying children and the depressing, rattling ostinato of those bloody bags on wheels that, apparently, even able-bodied grown men drag around behind them without the slightest embarrassment.
There are two ticket collection machines. Both are en panne - of course - but there is a mending man grovelling in the innards of one of them. I ask him if it will be working in a moment and he says it will.
He is sort of right. He presses some buttons and sucks through his teeth and pulls and pushes paper into slots and the screen comes alive and pretends to work. He moves onto the next machine.
We are so, so close now. I key in my code. My reservation comes up on the screen. It asks me to confirm my identity with the card I used to buy the ticket. A tense moment - let's hope RBS haven't been as dozy as Egg or that at least they have read the papers and know something is up.
It is fine.
'We are printing your ticket' the screen says. For a long time. A very long time. Until it changes to say: 'There has been an error in printing your ticket. Refer to information desk' - or something like that - and then shuts down.
That scream is mine. The mending man looks up from the bowels of the other machine. Perhaps it is the hyperventilation that alarms him enough to come and have another go at the machine in front of me. Again, buttons, lights, paper, slots. And the screen comes on.
I key in my code again but of course the machine now thinks it's issued the ticket and tells me it can't issue another, before shutting down again.
It is own-a-Eurostar-employee time. There is one to hand. She tries to brush me off and tells me I have to join the long queue of crying people in the ticket office but this will not do and I tell her she must find someone to print the ticket for me. There is a stand off so I do something that surprises even me. I say: 'OK' and begin to walk through check-in towards passports and security. This causes a kerfuffle but fortunately they do not shoot me and instead another woman breaks off from whatever she was doing on her computer and prints me a boarding pass.
As it happens, the long queue of people who were standing behind me waiting to use the en panne ticket printing machines have followed me and now stand queueing at her desk demanding she print their boarding passes which she really cannot refuse.
It is a small triumph and it appeals to my vindictive side.

It is almost time to be relieved but I will not be until we actually leave Brussels. For the first time in days, I have lunch. In the sunny square by Midi station and go back to Eurostar at two - as instructed.
They have managed to manufacture a small riot.
There are no tickets now until Wednesday - they say ... but then, they said in Milan there were no tickets north from there until Tuesday - and so all the supplicants have been thrown out.
So, bizarrely, have all the passengers who have tickets and were waiting to check in for the 1429 or 1459 trains. Perhaps it was for the sake of neatness.
There are two burly but unfrightening bouncers on the door and a non-burly but extremely frightening woman barking instructions in three languages to anyone who tries to get into the office or passenger lounge.
Only 1429ers are let through and they have to join a long queue since both passport and security controls have been stepped up. It is half past two before we 1459ers are allowed in and there are still over a hundred 1429ers being critically examined for bombs and surly expressions.
It is a shambles and impossible to guess why the 1429ers weren't checked in hours ago. Don't they know there's a crisis???
Odd how irritating half an hour delay has become when, in Rome I was happy that a delay was only five hours and in Milan I was prepared to hang around for 30 hours.

We leave half an hour late. And there are empty seats. Lots of them.

Vegas to London: the Brussels leg

**This was written on Eurostar on Monday 18 April - posted later**

It is an unremarkable morning in Koln.
The hotel is on the raw side of the station. All station's have a raw side, the side you're not supposed to see. The side where the prostitutes work; where something is always being built or demolished and the roads are always coned and dug.
Some have four raw sides.
From the room's balcony, you can see this mucky, bleak, platz. A place to scuttle through and hundreds of schoolchildren and office workers and labourers are scuttling.
I have a headache. Dehydration. I seem to have forgotten the basics of day to day.
My shoulders and back hurt beyond what is simply annoying. My bag isn't very heavy but it is heavy enough to pull my spine to one side - 'unstable vertebrae' was how the osteo once described what I have. And to bruise my shoulders. And to pull on my sternum which is held together by metal bands after Bashir - the sawsman on Mr Pugsley's cardiothoracic team - unzipped me sixteen years ago.
The gammy leg and its filigree of op scars is more swollen than ever and one of the scars is starting to show the signs of an infection. I hope there's not another bout of cellulitis in waiting but at least I have some emergency antibiotics with me.
It is good to know that I have tickets through to London but I am now regretting that I did not book a seat to Brussels. Still there is little sign of of stranded types but who knows.

Down to breakfast and the hotel lobby is piled high with suitcases. I am now worrying about the Brussels train.
The breakfast restaurant is piled high with British pensioners. I am now worrying even more about the Brussels train but it turns out that, incredibly, they are going the other way. On a 'no-flight' tour of Europe.
Perhaps they feel vindicated in their decision never to travel by air.
They talk about Knutsford and travel insurance and peace of mind and one of them is telling her table about a new breed of foreign pickpocket who work in twos; the first picks your pocket and the second replaces your wallet or cash with a wad of papers so you don't notice 'til it's too late. You can never be too careful.
I do hope they have a lovely holiday and I'm sure they will but I also wish they would hover a little less over the buffet. Especially the fruit. I need fruit.
For a very long time, one of the senior travellers seems to think he needs some too. But he hesitates. And then hesitates some more. And then some more still. And then he decides fruit is a bit too foreign for breakfast and moves on to the speck and gruyere but I do not imagine he will find what he wants there either.

Now I really wish I'd booked a seat. The platform is crowded and it turns out only half of the train from Frankfurt goes on to Brussels, the rest to Amsterdam. And it is late.
There is nothing else for it. It is down to luck or guesswork or fate or whatever but since luck has been good to me so far - and the harder my family and friends in London have worked on my behalf, the luckier I've been - I am not too despondent.
I pick a place. If the door stops opposite me, I will be fine. If not, well ... There is no chance of moving up or down the platform to chase the door, so this is it.
And what about that. The door stops at the exact spot I am standing. I am first on and find one of the few unreserved seats.
The train fills. And fills. And fills with standing passengers. There is a loud bilingual row at the end of the carriage because someone is sitting in someone else's reserved seat. The line of passengers trying to get on spills out of the door and the guard/conductor makes a long and complicated announcement in German which is the first or second language of about 1% of the train passengers.
It amounts to 'if you don't have a reservation you must get off the train'. This is insane. Everyone thinks so and no one moves. The standing passengers reason that since they are standing two abreast along the entire length of the train, the guard will not be able to check any tickets but they are wrong.
He forces his way into the train and starts checking tickets and throwing people off. Perhaps he really will throw all the standing passengers off.
In the event, he sees sense and leaves the train without having made a huge impact on the number of standing passengers. We depart half an hour late but I am on the train, with a seat and will arrive in Brussels with three hours in which to make sure I can get the ticket I've bought.

Vegas to London: German Homecomings

**This was written in Koln on Sunday 18 April - posted later**

Zurich station is not chaos
. It is instead a model of Swiss order.
I know the station well from many trips to Davos both for the WEF and for family skiing holidays.
I am swayed by the guard's advice about Basel ... on the other hand, there are other routes through Germany and perhaps I should be thinking about those too.
Or perhaps Paris.
It is the total ignorance of what lies ahead that is the problem. Even with the SMS lifeline to Mrs Marsh, it is possible only to know so much. Railway routes are no more than serving suggestions, timetables no more than aspirations.
It is three o'clock and walking down the platform to the main concourse, I devise a plan. Well, it is not so much a plan as a decision to let fate decide.
There is a huge board over the main concourse at Zurich station and it lists all the departures for hours ahead. If there is a train to Basel soon, I will take it. If not ... well, I'll look for the first one that seems promising.
There is a train to Basel in an hour and I can buy a ticket from the machine. You can only buy tickets to Swiss destinations from the machines. So that kinda clinches it. Basel.
Decision made and I have an hour to kill. I wander into the Reiseburo. It is packed but they have a ticket system - you take a numbered ticket and when it's your turn, your number flashes over one of the dozen or so windows. The highest number flashing is 413. I take a ticket. It is number 491. I leave.
But by the Reiseburo are the ordinary 'international' windows. This is one of the infuriating things about European trains. There is a fantastic network of wonderful fast trains ... but the ticketing is 19th century.
I have nothing else to do with my fifty minutes before the Basel train so I join one of the, relatively, short queues. They go very slowly but even at ten minutes per customer in front of me, I will be able to reach the window.
At the front of the queue, the Utrecht quartet are negotiating passage to Amsterdam. One of them comes to me at the back of the queue and asks if I want to travel with them. They have a train and it leaves at six in the morning - they will buy a fifth ticket if I want them to.
It is a temptation. It would mean a night in Zurich and then ... then what from Amsterdam? A ferry from the Netherlands, I guess.
But I have the ticket to Basel and perhaps if I have to spend an overnight that would be better and there is still something pulling me more towards Calais rather than Ostende or Rotterdam.
I thank them but stick with the Basel plan.
The young couple in front of me want tickets to Paris. There is nothing until Wednesday they are told; 'you have to have a reservation to travel on the TGVs'. She adds that, of course, the French trains will be affected by strikes.
Again, I wonder whether the true nature of what's happening is fully understood in the chancelleries of Europe ... and the boardrooms of the transport operators.
The young couple are crestfallen; 'My mum is coming over to pick me up in Calais' the young man says, his voice cracking just slightly.
He asks about a coach station but the clerk does not know. They walk slowly away and I do not know what they will do.
It is my turn and I ask for a ticket from Basel to Koln. The clerk is a little shruggy and tells me she can sell me a ticket but doesn't know whether I can get on the train. It is a risk I will take because it means I can at least travel to Basel knowing I have a plan of sorts.
And Koln is within the pick-up zone - a place from which, if all else fails, someone can pick me up in a car.
The train to Basel is about half full and hardly any passengers are stranded types such as me. I have just seven minutes to change trains in Basel but this is Switzerland and I am confident and indeed we pull into the station not early, not late, but exactly on time.
The Mannheim train is busy but a long way from full. There are seats and rouged old ladies with lapdogs who have perhaps been visiting reluctant children and grandchildren. And sad faced young men going home perhaps after a weekend with a girlfriend. And students cramming for the week ahead. People making their way home. But homes in Germany. Again, there are no stranded types.
There is WiFi, though, and I buy an hour's worth hoping that the laptop battery will hold out. The intention is to post a blog or two ... but first I look at trains from Koln to anywhere north, intending to go to Lille which is even more into the pick-up zone.
The Lille trains go through Brussels ... so, with the laptop battery on a shouty shade of red, I take a look at the Eurostar website. Just in case.
And there are trains. From Brussels to London. Tomorrow afternoon. At a ridiculous price, but they are there.
Yesterday, the Eurostar website was teasing with the promise of trains but they could not be booked. The site timed out or refused to accept payment.
I choose the 1459. It lets me. I put in my payment details. It likes them. It tells me I have a seat. It gives me a confirmation code. It thanks me for my purchase. The laptop battery dies.
We speed north up the Rhine valley and it is difficult not to think of it as a tour of WW2 bombing targets, the place names characters in every black and white war movie featuring young men with white scarves and pipes and bouncy dogs with names it would be wrong to use these days.

Balancing the elephants

An insightful  post from Simon Wren Lewis  on fiscal reporting at the BBC and its recent report. Not much to disagree with ... except for t...